https://www.youtube.com/watch?v=playlist
Right here on Halloween of 2024, we’ve a better variety of scary stories — and arguably, a a lot scarier variety of scarier stories — to select from than ever earlier than. However whatever their relevance to the specific lives we might stay and the specific dreads we might really feel in the present day, what number of such curlease works stand an opportunity of being learn a couple of centuries from now, with not simply historical interest however genuine chills? With every Halloween that brings us close toer to the two hundredth anniversary of Edgar Allan Poe’s literary debut, the works of that American pioneer of the grotesque and the macabre develop solely extra deeply troubling.
“The phrase that recurs most crucially in Poe’s fictions is horror,” writes Marilynne Robinson within the New York Assessment of Books. “His stories are sometimes formed to deliver the narrator and the learner to a spot the place the usage of the phrase is justified, the place the phrase and the experience it evokes are explored or by implication defined. So crypts and entombments and physical morbidity figure in Poe’s writing with a prominence that’s not characteristic of main literature in general. Clearly Poe was fascinated by popular obsessions, with crime, with premature burial” — obsessions that haven’t misplaced a lot popularity since his day.
Examinationined extra shutly, “the horror that fascinated him and gave such dreadful unity to his tales is usually the inescapable confrontation of the self by a perfect justice, the expopositive of a responsible act in a type that makes its revelation a recoil of the thoughts in opposition to itself.” That is true, Robinson writes, of such still-widely-read works as “The Fall of the Home of Usher,” “The Masque of the Pink Loss of life,” “The Black Cat,” and “The Inform-Story Coronary heart.”
You possibly can hear all of these stories and extra in the Youtube playlist above, narrated by a variety of pertypeers immediately recognizready by voice alone: Christopher Lee, Vincent Worth, William S. Burroughs, Orson Welles, Bela Lugosi, Basil Rathbone, and the late James Earl Jones.
Whether or not learn aloud or on the web page, Robinson notes, Poe “has at all times been reviled or celebrated for the absence of ethical content in his work, even supposing these tales are all straightforward ethical parables. For a author so intrigued by the operations of the thoughts as Poe was, an interest in conscience results in an interest in concealment and self-deception, issues which can be secretive and excessively individual and on the similar time so universal that they form civilizations.” Whereas there are civilizations, there shall be tell-tale hearts; and whereas there are tell-tale hearts, there shall be an audience responsive to Edgar Allan Poe’s model of horror, on Halloween or any other night time.
Related content:
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Primarily based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His tasks embody the Substack newsletter Books on Cities and the ebook The Statemuch less Metropolis: a Stroll by means of Twenty first-Century Los Angeles. Follow him on Twitter at @colinmarshall or on Faceebook.