The Remoted Bass Grooves of The Grateful Lifeless’s Phil Lesh (RIP)

This previous Fri­day, the bassist of The Grate­ful Lifeless, Phil Lesh, handed away at age 84. Virtually imme­di­ate­ly the trib­utes poured in, most rec­og­niz­ing that Lesh was­n’t your ordi­nary bassist. As Jon Par­e­les wrote within the New York Occasions, Phil Lesh held songs “aloft.” His “bass traces hopped and bub­bled and con­stant­ly con­versed with the gui­tars of Jer­ry Gar­cia and Bob Weir. His tone was spherical­ed and unassertive whereas he eased his method into the coun­ter­level, virtually as if he had been suppose­ing aloud. [His] play­ing was essen­tial to the Lifeless’s par­tic­u­lar grav­i­ty-defy­ing lilt, shar­ing a col­lec­tive mode of rock momen­tum that was teas­ing and prob­ing, nev­er blunt­ly coer­cive.”

My first encounter with the Grate­ful Lifeless got here once I was 16 years previous. I vivid­ly remem­ber the man who performed bon­gos on my buddy’s head after we arrived on the present. I additionally remem­ber the spin­ners journey­ping on acid, danc­ing down the halls and short-cir­cuit­ing my lit­tle thoughts. However the con­cert itself stays solely a hazy mem­o­ry. And cer­tain­ly the artistry of Lesh, Gar­cia, Weir, and the drum­mers was misplaced on me. Solely years lat­er, did all of it begin to click on. That’s once I dialed into the Bar­ton Corridor con­cert at Cor­nell (Could 8, 1977) and encoun­tered Lesh’s bass traces at first of “Scar­let Bego­nias.” When you hear them, they’re arduous to shake. The video above zooms into that per­for­mance, explor­ing the devel­op­ment of Lesh’s bass play­ing by means of­out the spring of ’77. The subsequent video down permits you to hear the com­plete Bar­ton Corridor per­for­mance of “Scar­let Bego­nias” in all of its glo­ry.

When oth­ers attempt to cap­ture what made Phil, Phil, they’ll fea­ture anoth­er beloved present–Vene­ta, OR (6/27/72). Beneath, you’ll be able to hear iso­lat­ed tracks of Phil’s bass work on “Bertha” and “Chi­na Cat Solar­flower/I Know You Rid­er.” (Click on the hyperlinks within the pri­or sen­tence to listen to Lesh and the band per­kind­ing the songs collectively–so you’ll be able to hear how the bass ties in.) Educated in free jazz and avant-garde clas­si­cal music, Lesh infused rock with the influ­ences of Coltrane, Min­gus, and Stravinsky–to not males­tion oth­ers. And, with that, the bass was nev­er the identical.

For any­one need­i­ng to get fur­ther into the Phil Zone, learn his excel­lent mem­oir Search­ing for the Sound: My Life with the Grate­ful Lifeless.

Bertha

Chi­na Cat Sunflower/I Know You Rid­er

Relat­ed Con­tent 

The Grate­ful Lifeless’s “Rip­ple” Performed By Musi­cians Across the World (with Cameos by David Cros­by, Jim­my Buf­fett & Invoice Kreutz­mann)

The Grate­ful Lifeless Pays Trib­ute to Edgar Allan Poe’s “The Raven” in a 1982 Con­cert: Hear “Raven House”

When the Grate­ful Lifeless Performed on the Egypt­ian Pyra­mids, within the Shad­ow of the Sphinx (1978)